November 7, 2022

Short-Run vs Long-Run Print Packaging

As digital technologies have improved, the lines between long-run and short-run print packaging have started to blur. There is no one-size-fits-all approach.

Duplo hemp packaging sample

When it comes to print packaging, there are many schools of thought, but they can boil down to two philosophies: short-run and long-run. But knowing where to draw the line between them can be a lot murkier than you might think.

Traditionally, long-run packaging is produced in the hundreds of thousands at a time, with the costs of design and setup spread out. On the other side of the spectrum, short-run packaging can be produced in quantities as small as one thanks to modern digital technologies. Setup costs are more economical but the design can be far more complicated, which can have the effect of making the cost-per-piece higher but with more freedom to connect brands and consumers on a personal level.

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Today, there are benefits to both approaches. Large brands producing items for sale across the country — or even around the world — still benefit from the long-runs. Businesses testing new markets and new designs will benefit from smaller volumes as they can order runs of tens, rather than tens of thousands. And only print what they need without worrying about storage.

But what about those brands and companies that fall in the middle of that divide? Who want to offer several versions of a package, each run of just a few thousand pieces? Or brands that are growing beyond personalized short-runs, but not yet to the point of producing the kinds of scale that make long-runs economical? Where is the dividing line between short and long-run print packaging?

The Line Between Long-Runs and Short-Runs is Blurring

Even just a few short years ago, anything more than around 100 pieces would start to become too expensive on a per-piece basis to produce via short-run technologies once the design and setup costs had been factored in, not to mention the finishing required. But with each new generation, the digital presses get faster, more efficient, and can produce far more pieces before hitting cost ceilings. Not just in the hundreds, but in some systems, several thousand pieces can be just as economical on a digital press as on conventional package printing equipment. A run of one can sit alongside a run of 5,000 and both will ultimately be profitable for both the brand and the print shop.

But the printing itself isn’t the only cost to consider. Design is one element that can make a difference in short or long-run profitability. If a brand wants to run three sets of versioned packaging at 2,000 pieces each, digital short-run is a great option. On the other hand, if they want to run 6,000 pieces that are each completely unique and personalized, well, the costs start to add up. Even with software that can help with the heavy lifting, that is still a lot more creative elements that need to be produced.

There is also the finishing to consider. If a short-run is all the same shape and size, and the only difference is the creative printed on it, then even a run of thousands of digitally-printed pieces can be run on traditional package finishing equipment. But if the personalization or versioning extends to different shapes or sizes, well, then it isn’t just the presses that need to be digital, but the finishing as well.

The reality is that as digital continues to improve by leaps and bounds with every new model that hits the market, the line will only continue to get blurrier. There is no one-size-fits-all approach to making the determination between long or short-runs anymore.

For shops targeting the packaging space, it will be increasingly critical to have conversations with the brands before the design gets to the print stage to determine not just the budget, but what they are trying to achieve. How many pieces are they looking to produce? Does it need to stand out on a crowded shelf, or will it hold a featured place in a small store environment? Is it something that needs to be able to ramp up quickly as the brand grows, or will the number of products sold with this packaging remain stable? How often do they anticipate wanting to change the packaging? All of these and more are questions that will directly impact whether a short or long-run option will best serve that specific package.

Packaging is a potential growth area for many printers, especially as digital technologies make short-runs not quite as short as they used to be, opening up new opportunities. But understanding what goes into package design, and where to draw the line to ensure everyone not only walks away happy with the end result but also happy with the costs and profits involved, is critical to building a successful business.


denise gustavson

DENISE GUSTAVSON
Guest Blogger
NAPCO Media

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